Should I Buy A Telephoto Lens Or Use A Teleconverter?

This post is a part of our Q&A section. If you want to submit your question, please use the form in the Contact page.

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Oliver (Auckland, New Zealand) asked: I like doing nature and wildlife photography and considering my options whether to buy telephoto lens or teleconverter. Please suggest what should I do?

Hello Oliver! If the budget is not an issue, getting telephoto lens for your need is the best choice by all means. If you are serious into sports photography or nature and specially wildlife photography, telephoto lens will make its way into your camera bag sooner or later. And if you can't afford good telephoto lens yet but have mid-range zoom lens, 70-200mm for example, your option is to get teleconverter and extend its range.

Why do we need a Telephoto Lens?

Telephoto lens is a specific type of long-focus lens and an essential tool to have if you are into wildlife photography and considering to make it your profession or serious hobby. You cannot always get closer to your subject and telephoto lens is the only way to capture them. But good telephoto lens comes with big price and might be bulky for some of us to carry around all day long. As of today, the most expensive and long range Nikon super-telephoto lens (AF-S NIKKOR 800mm f/5.6E FL ED VR) costs around $16,299.95 and weighs around 10.1 lbs (4.5 Kg) and mid-range telephoto lens (AF-S NIKKOR 200-400mm f/4G ED VR II) costs around $6,999.95 and weighs around 7.4 lbs (3.3 Kg). Not everyone needs and can afford these beasts but that doesn't mean we should give up.

What should we do then?

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Where there is a will, there is a way, and, this is where teleconverter comes into our discussion. Teleconverter is a cheap way to extend your lens range from its normal range. As name suggests itself, teleconverter multiplies your lens range by its x factor. Let's say you have a 70-200mm lens with f/2.8 max aperture and you bought 2.0x teleconverter. Once you fit this teleconverter to your lens, it will extend range from 70-200mm to 140-400mm and reduces maximum aperture to f/5.6, by half, allowing only half amount of lights and hence slowing down the speed which might be crucial for wildlife photography specially for capturing birds and fast moving animals. If you were thinking little earlier why telephoto lenses were that much expensive when you can achieve the same range with cheaper teleconverter, you may now have the answer. Yes, it not only extends the zoom range by x factor but also decreases the aperture by same factor. So, if your goal is to get greater range with maximum aperture possible (to produce nice bokeh effect in the background and faster shutter speed) then you may have no choice but buy expensive telephoto lens. Sometimes you may be able to get nice blurry background even with smaller aperture if your focusing distance is greater because depth of field is affected by your distance to subject as well. Another disadvantage of using teleconverter is distortion effect. Your image might be little distorted because teleconverter adds different sets of glasses behind your lens adding an external components to the lens whereas telephoto lens is made up of same quality glasses incorporated inside single barrel to produce better result. Distortion might be little less noticeable or even unnoticeable if you use teleconverter from same manufacturer as your lens.

To summarize our discussion into points,

1. Telephoto lens can be heavy and expensive but it is the best option if the budget is not an issue and you do not want to compromise with quality of pictures.

2. Teleconverter is the best alternative and cheaper option to get extended range from your normal zoom lens.

3. Teleconverter extends the range of your lens but also decreases the max aperture by same factor and slow down your lens by allowing only half of the lights than the lens without the converter.

4. And that is why getting telephoto lens or using teleconverter depends on what you want to achieve and how much money you are willing to spend for it.

How To Extend Camera's Battery Life

You are ready to go out to shoot (special events) and after few shots, your camera is dead. Have you ever been into this kind of situation? Well, I have. Luckily, I always carry an extra battery with me but it may not be the situation every time and with everyone. It is always a good idea to carry an extra battery with you but it is also equally important to learn how to make the most use of battery you have in your camera and extend its life. So, today, I thought I would write something about saving and extending camera's battery life and make the most use of it. Your camera may have some specific or different settings than what I have listed here but these are some key points which you can follow to manage your camera's battery life. And they are...

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1. Turn off your camera's wireless and Bluetooth connection if you are not using it.

2. Try to frame your shot by looking through viewfinder rather than using live view mode. Activating live view mode and displaying shot in your screen consumes lots of battery power.

3. You can also turn off automatic sensor cleaning every time you turn on or turn off your camera.

4. If you have a habit of keep pressing shutter release button half way down even when you are not taking picture, it tries to focus and refocus objects and that drains a lot of battery by using camera motor to move lens components.

5. You can turn off Image Stabilization, also called Vibration Reduction (VR), feature on your lens while using camera on tripod. Camera uses lots of energy to move internal lens components to make use of VR technology and turning it off while on tripod extends battery life.

6. If you are a kind of person who needs to take time off between shots (usually nature or wildlife photographers), try turning off camera between shots and save some battery.

7. If your camera's Autofocus is set to continuous focus (AF-C), it tries to continuously track and focus your subject by moving tiny motors inside camera. Every time those focusing components move, it uses battery power. This is very useful feature if you are shooting sports but may not need it if you are doing nature, portrait or wedding photography. You can use Manual or AF-S focus mode instead while shooting non-moving subjects.

8. Shooting in RAW (picture mode) all the time consumes lots of energy. You might not need to shoot RAW for family vacation pictures (JPEG might work fine) but may need it for professional job like taking wedding pictures or some other projects. So, try to shoot RAW only when you need it and save some battery.

9. Charge your camera's lithium ion battery to full between each use. Study shows that charging lithium-ion battery to full every time even if it is not completely depleted extends battery's life.

10. If your camera displays image for review right after taking picture, you can turn off image review feature to save some battery. You can still preview it by pressing playback button whenever necessary.

11. You can also set monitor off delay feature to minimum value if it is available in your camera settings. This menu defines a period after which the LCD display will be turned off when you do not use any buttons. LCD monitor on the back of your camera is used for playback, menu navigation, camera information, image review and live view mode. This big colorful LCD screen consumes lots of energy and reducing the monitor off delay time can boost battery life.

12. You can also reduce the brightness of LCD screen to save battery.

13. If your camera has power saving mode, you can turn it on as well. It will save your battery by disabling some of heavy power consuming features that you may not use it very often.

14. Use external card reader to transfer your files rather than plugging your camera directly to the computer.

15. And finally, if you think your battery is draining faster than it should be (under normal circumstances), consider replacing them.

It might have negligible effect on your camera's battery life if you implement just one or two methods that I mentioned above but if you can manage to implement all of them or most of them, it will certainly have greater impact collectively to extend battery's life and save some battery for the time when you need it the most.

How Does Electronic Flash Work In DSLR

What we call electronic flash or simply flash is burst of lights produced by flash of photons generated by an electrical charge that is accumulated in a component called a capacitor and then directed through a glass of tube containing xenon gas, which absorbs the energy and emits the brief flash. For most of the pop-up flash which comes built-in with most of the advanced DSLRs, the full burst of light lasts about 1/1000th of a second which is enough to provide illumination to capture a subject 10 feet away using aperture of f/4 at ISO 100. But, usually in daily practice, depending upon environment you are in and distance to your subject, you would change the Aperture, ISO and Shutter Speed to get the best result. As you noticed, the built-in flash is somewhat limited in range; and that is why professional photographers use external flash units like SB-600, SB-700, SB-800 or SB-900 extensively to meet different lighting challenges they face in every day shooting.

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Most of the DSLRs come with built-in electronic flash and have accessory shoe where you can plug external flash units directly or via cable. An electronic flash whether built-in or external unit is triggered at the instant of exposure, during a period when the sensor is fully exposed (by opening the shutter). DSLR has a vertically traveling shutter that consists of two curtains (in most of the DSLRs). The first curtain opens and moves to the opposite side of the frame, at which point the shutter is completely open. Now, depending on what kind of flash sync mode is being used, flash can be triggered at this point (called first-curtain sync or front-curtain sync), making the flash exposure. Then, after a delay (defined by shutter speed which vary from 30 seconds to 1/250th second), a second curtain begins to move across the sensor plane, covering up the sensor again. If the flash is triggered just before the second curtain starts to close, we call it second-curtain sync or rare-curtain sync. Usually, in both cases, a shutter speed of 1/250th second is the maximum speed that can be used (which is called flash sync speed) unless you are using the high-speed 1/320th second sync.

There are few more flash sync modes available that you can use in your DSLR camera and you can learn more about them in my previous blogs choosing a flash sync mode on Nikon D90 and slow sync flash photography where I explained about Front Curtain Flash and Rear Curtain Flash in detail.